Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act

Stephen R. Millar

Research output: Contribution to journalArticle

98 Downloads (Pure)

Abstract

Irish rebel songs afford Scotland's Irish diaspora a means to assert, experience and perform their alterity free from the complexities of the Irish language. Yet this benign intent can be offset by how the music is perceived by elements of Scotland's majority Protestant population. The Scottish Government's Offensive Behaviour Act (2012) has been used to prosecute those singing Irish rebel songs and there is continuing debate as to how this alleged offence should be dealt with. This article explores the social function and cultural perception of Irish rebel songs in the west coast of Scotland, examining what qualities lead to a song being perceived as ‘sectarian’, by focusing on song lyrics, performance context and extra-musical discourse. The article explores the practice of lyrical ‘add-ins’ that inflect the meaning of key songs, and argues that the sectarianism of a song resides, at least in part, in the perception of the listener.
Original languageEnglish
Pages (from-to)297-319
Number of pages13
JournalPopular Music
Volume35
Issue number3
Early online date14 Sep 2016
DOIs
Publication statusPublished - Oct 2016

Keywords

  • Irish rebel songs
  • Irish diaspora
  • music
  • Offensive Behaviour Act
  • Scotland

Fingerprint Dive into the research topics of 'Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act'. Together they form a unique fingerprint.

Cite this